Feature film Dolby Atmos 7.1.4 Foley Immersive post

Aske Bang · Rialto Film Entertainment

Welcome to the Moon

A larger film workflow where foley and sound design are developed into a Dolby Atmos setup focused on direction, movement and stereo translation.

Director

Aske Bang

Julius’ role

Foley and sound design

Format

Dolby Atmos 7.1.4

Premiere

April 30, 2026

A case in building immersive postproduction from dramatic detail work all the way through delivery and fold-down.

Feature framework

Project context

A longer-format project where the soundtrack has to hold both cinematically and technically across delivery contexts.

Welcome to the Moon is a Danish feature film premiering April 30, 2026, directed by Aske Bang and released by Rialto Film Entertainment. I handle foley and sound design on the film and build immersive Dolby Atmos sound images where detail, movement and spatial direction support the cinematic experience.

This case points to the part of my practice where creative decision-making and delivery discipline need to stay tightly aligned throughout post.

Process

An immersive approach from detail to space

Atmos only matters when it works as an exact extension of the story.

Feature films in Dolby Atmos demand creative and technical rigor: the sound must work immersively in cinema and translate to stereo without losing dramatic impact. Deliverables with ADM BWF, stems and fold-down need to remain controlled and consistent.

The mix uses Atmos to place sound objects precisely in space. Bed layers carry the foundation, objects create focus and movement, and the stereo fold-down is verified continuously for consistency.

Technical layer

Delivery and workflow

Format

Dolby Atmos 7.1.4

An object-based spatial setup where detail and movement need to scale in cinema and still translate to stereo.

Deliverables

ADM BWF, stems, stereo fold-down

The case makes visible the part of post where delivery requirements and creative sound shaping meet.

Workflow

Dante 16×16 · 7.1.4 monitoring

A controlled pipeline where dialogue editing, ADR, foley and sound design stay tied closely to the immersive mix.

Next conversation

Do you need immersive film sound that also holds on the delivery side?

Dolby Atmos · Postproduction · Copenhagen

Let’s take the project from sound idea to approved delivery.

When immersive choices and technical specifications need to meet inside the same process, this is where the conversation should begin.

Related services Atmos, Auro & Immersive SoundRe-recording MixingAudio Transfer / QC

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